Matt Price on re-title.com discusses Ghenie as, "Ghenie plunders visual history via disparate avenues - archives, history books, cinema, painting, YouTube and Google - to build his dense, multi-layered paintings. His preparations are intriguing in their ebb and flow between fact and fabrication. Once images are selected from different modes of representation, Ghenie creates collages with printed images that are overworked and embellished in paint. Sometimes he turns stills into cardboard models, creating a kind of mini film set, tangible, with shifting light and relative scale.
Cinema’s aesthetic preoccupies Ghenie, particularly the moment cinema developed its own unique qualities: when scenes were created, seen and understood as nothing but filmic – movement, light, structure, genre, and moments repeated in different productions to the point of cliché that could not be separated from that medium, just as the surface and qualities of a Caravaggio can only really exist in paint. "
Automat (I)
2008
80,0 x 60,0 cm
oil on canvas
2008
80,0 x 60,0 cm
oil on canvas
-Zeno X Gallery- Michaël Borremans Biography
More paintings by Adrian Ghenie:
It Could Be Anywhere
The Hit
Babe In The Woods
The Red Is On Fire
More by Michaël Borremans:
Taking Turns
The Case
Four Fairies
The Load
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